SELECT
OBJECTS
|START|
PLEASE DO NOT WORRY, TAKE YOUR TIME, YOUR THOUGHTS ARE FREE, YOU ARE FREE.
FROM HERE, GOING FORWARD WITH THE DIALOG, THINGS ARE INTERPRETED
AND BROKEN DOWN FOR A EASIER AND QUICKER
ENGAUGMENT. THERE IS A PACE, A RYTHEM
A RESONANCE MIGHT FORM BEFORE
THE WORDS.
IT JUST MEANS...
WHEN YOU CONTINUE ONWARD
YOU WILL FIND THE NATURE OF A PRACTICE, THE DEVOUT,
THE GENERATIVE, THE PROCESSSING
OF BELIEF. THE CATALOG.
OBJECT.
|SELECT|
|OBJECT|
"SELECT OBJECTS"
redemption
CONTEXTUAL COMMODITIES AS "SELECT OBJECTS"
& THEIR RELEVANCE TO THE "POST-HUMAN CONDITION"
CHRISTOPHER SCOTT LEE
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|SELECT|
PLEASE TAKE YOUR TIME, YOUR THOUGHTS ARE FREE, YOU ARE FREE.
|START|
"SELECT OBJECTS" ARE INSTRUMENTS RATHER THAN STATIC OBJECTS.
RESONANCE
EMBODIED TEMPERANCE
ACTIVE TRANSLATION
INTERGRATION
"SELECT OBJECTS" ARE OF VALIDITY.
PRESENT PROOF OF ITS MAKING
AS MADE, THEY ARE OF CONFRONTATION,
OF THE TURTH BARING EXTERNAL
SUBJECTIVE PRACTICE IS THE SELECTIVE RELEVANCE
THE OBJECT OF CONTEXT
TRANSLATIONS TO
MYTHS OBJECTIVE, SOON
- SOPHIA S. LOOK
|SELECT|
NOW BREATH... YOUR THOUGHTS ARE FREE, YOU ARE FREE.
|START|
"SELECT OBJECTS"
CONTENTS
THE FORMAL
POST - CONTEMPORARY
TRUE-ISH
CHERISHED
SELECT OBJECT
PRODUCED
SOON-ISH
THE FUNERAL
HOST = CONTEMPORARY
"SELECT OBJECTS" ARE OF VALIDITY.
PRESENT PROOF OF ITS MAKING
AS MADE, THEY ARE OF CONFRONTATION,
OF THE TURTH BARING EXTERNAL
SUBJECTIVE PRACTICE IS THE SELECTIVE RELEVANCE
THE OBJECT OF CONTEXT
TRANSLATIONS TO
MYTHS OBJECT...
AS
- SOPHIA S. LOCK
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FYI - YOU ARE FREE.
?
|SELECT|
|OBJECT|
SELECT OBJECTS
CHRISTOPHER SCOTT LEE
post-redemption
contextual commodities - do not exist
with out exchange
PLEASE DO NOT WORRY.
IT JUST MEANS...
WITHOUT THE EXCHANGE OF ANY KIND
THERE IS NOTHING, NOTHING OTHER THAN THE AWARENESS
OF WHAT IS PRESENTLY KNOWN.
THE LEVEL OF EXCHANGE
DICTATES THE LEVEL OF OUTPUT
THE QUALITY OF EXCHANGE IS
NOT SIGNIFICANT IN VALUE OF
ITS CONTENT OR CONTEXT.
THE EXCHANGE IS
THE ONLY ACTION
A BELIEF
IN ACTION
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If you’re a business, talk about how you started and share your professional journey. Explain your core values, your commitment to customers, and how you stand out from the crowd. Add a photo, gallery, or video for even more engagement.
APPLES TO APPLES
the active comparison - objective relationships
IT JUST MEANS...
TO COMPARE AN APPLLE TO AN APPLE, IS FAIR ASSESMENT.
AND NOW WE THINK ABOUT, THE ACT OF COMPAIRING LIKE SUBJECTS, AS AFFIRMING A LIKE-NESS AS / TO ITS PURIST CLAIRIFYER .
THE SAME IDEA OF WEIGHT MEASURED AGAINST ANOTHER. LIKENESS
IS AFFIRMATIVE TO THE SUBJECTS RELATIONSHIP
TO THE SUBJECT, OBJECT AND ITS EXCHANGE.
THIS DOES NOT PROVE WHAT IS SOMETHING IS.
THIS DOES NOT PROVE. SOMETHINGS
EXISTENCE.
IT DOES PROVE...
RELATIONSHIPS THAT ARE DEPENDENT
ON COMPARISON, AND
DONT EXIST
WITHOUT COMPARISON.
AFFIRMATIVE
SINGULAR
LINIAR
NARROW
TRUE TO ITSELF.
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If you’re a business, talk about how you started and share your professional journey. Explain your core values, your commitment to customers, and how you stand out from the crowd. Add a photo, gallery, or video for even more engagement.
APPLE ORANGE
the POST-active comparison - SUBJECTIVE relationships
IT JUST MEANS...
TO COMPARE TWO OR GROUPED SUBJECTS
BY WAYS OF RELATIVE LIKENESS, THATS
DETERMINED AND DEFENDED.
SUBJECTIVITCYS POETRY
WILL DECIDE
BY RESONANCE
ITS LIKENESS,
IN FULL...
CONTRARY.
ABUNDANCE
HOLISTICLY MEMETIC
REFLECTIVE
TRUE TO ITS SUBJECT
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If you’re a business, talk about how you started and share your professional journey. Explain your core values, your commitment to customers, and how you stand out from the crowd. Add a photo, gallery, or video for even more engagement.
STATES OF PRACTICE
assigned brands & terms
for
Symbolic accumulation & process
ALTA STATE
Belief / Philosophy
The conceptual and philosophical foundation of the practice. Defines the ethos, symbolic logic, and transmutable conditions through which meaning is constructed and experienced.
SLATE
Active Manifest
This is your Education description. Concisely describe your degree and any other highlights of your studies. Make sure to include relevant skills, accomplishments, and milestones gained. Don’t forget to adjust the timeframe in the subtitle.
SELECT OBJECTS
Form
The primary artistic output.
Symbolic constructions that operate as containers for perception, structured to produce meaning through engagement.
STOREFRONT
interface
The public-facing interface of the work.
A site of exchange where select objects, installations, and commissions are presented, distributed, and activated within economic and spatial contexts.
POWERBLOCK
Production
The structural system underlying production.
Encompasses the mechanics, processes, and operational logic through which the work is generated, tested, and maintained.
HELLSHOP
Production
The intensive production environment.
A space of pressure, refinement, and transformation where materials and symbolic structures are developed.
THE MECHANICS
Logic
The internal logic governing the work.
Includes systems such as the perceptual slide, symbolic organization, and methods of validation through observation.
11 THIRTEEN THIRTY 1
Ether
The cumulative field of output and reference.
An evolving body of objects, installations, and symbolic language forming a continuous and self-reinforcing system.
